In 2025 we opened our own ceramics workshop, looking for a closer relationship with a material we had only worked with from a distance until then. It became a way of moving between two processes at once — from the digital to the manual — shaping pieces like Cono by hand while also working with a 3D printer, searching for the point where both worlds meet.
Developing our own production, rather than handing it to someone else, changed how every piece is made — and gave us the collection shown here, with pieces like Cilinder Lamp, Cono and Arco Flower Pot. These pieces don’t just sit in our home — they keep it evolving, one new object at a time, which is why a few of these images were taken there too.
The same sculptural base, glazed a different way each time — one of the first pieces to come out of the new workshop.
Finished by hand after the print, with its own mix of glaze — no two colourways ever turn out quite the same.
Every version starts from the same mould — what changes is the glaze, mixed fresh each time in the workshop.
Left in raw terracotta here, straight off the print — though the same piece can just as easily be mixed and finished with glaze, the way we did with the colourways shown above.
A lamp built like a small totem — a ceramic column carrying a single sphere of light, at home equally on a console table or on its own in an empty room.
Working the material by hand, and sometimes with a 3D printer, let us push each piece’s proportions further than a single technique alone would have allowed — part of the workshop’s own process of developing its production as it went.
The same sculptural, rounded form reworked here into a low table — shown alongside another piece from the same family, Arco Flower Pot.
Our home, the same one shown in Spaces, Our Home, is in constant evolution — always taking in new ceramic pieces as Cono, Arco Flower Pot and the rest of the collection come out of the workshop.
